Η χορηγία στη βυζαντινή τέχνη

Ανδρονίκη Μαστοράκη, MSc στη Συστηματική Φιλοσοφία: Abstract Sponsorship in antiquity was an institution of ancient Athens, which consisted of the undertaking by a wealthy citizen of the expenses for the composition of chorus and the staging of dramas on the feast of Dionysia. Consequently, in the modern era, it means …

Οι φορητές εικόνες στη βυζαντινή και μεταβυζαντινή καλλιτεχνική παραγωγή

Κ. Καλογερόπουλος (MA) in Archaeology and Heritage Abstract In this essay we examine briefly an important field of Byzantine and post-Byzantine artistic production, the portable icons, as it evolved over time, from the 6th to the 17th century. The use of specific examples becomes particularly necessary in this case, due …

Αφαίρεση και νατουραλισμός σε θέματα της πρώιμης βυζαντινής περιόδου

Κ.Καλογερόπουλος (MA) in Anthropology: Abstract In this essay we are searching for naturalism or abstraction as trends in specific samples of early Byzantine art from the field of sculpture, painting and small crafts. The transition from naturalism to abstraction is a dominant element in the process of the historical transition …